"It was back then when I learned how important Skid Row was to a lot of people outside of the band. Many fans thought they'd seen the last of Skid Row when the band parted ways with Bach in the mid-'90s, and Bolan admits that he himself was surprised when he realized how much Skid Row meant to the fans. You know, then the album came out in 2003, because we kept getting offers for tour after tour after tour and we're like, 'Okay, we just have to say no to the next offer and record this stuff.' Because we had the whole album demoed, but we just didn't have time to go in the studio." But the fact that we got on the road and played all of those shows with KISS and then a lot of our own shows on days off, it probably worked out better that way to do it. We thought we were going to go in the studio and a new record was going to be the way we were going to reintroduce ourselves. So we had a really good start to introduce Johnny to the world. About five months after we started, Ted Nugent left and it was us and KISS. "So we got to play about nine months in 2000 opening up for KISS and Ted Nugent. "When KISS got wind that we had a new singer, they asked us to come out on the road with them," says Bolan.
Solinger has had the microphone for nearly 15 years now he got his vocal trial by fire by playing some of his first gigs with the reactivated group in 2000 when the band was asked to open up for KISS. Twenty-five years later, Skid Row rolls on with a revised lineup that features vocalist Johnny Solinger in place of original frontman Sebastian Bach. It was really cool and very, very surreal." I met a bunch of kids outside the hotel and did the whole flashing the headlights thing, so they could signal me where they were and I went over and traded some T-shirts for a military hat and some other stuff. We went to Red Square after one of the shows and ran into some Russian kids that wanted concert T-shirts and I purposefully brought over a bunch to trade, because I used to collect military memorabilia, which was very forbidden over there. "So after every song that every band played, everyone would start chanting "Ozzy!" It was hilarious, it was like, 'Why isn't he going on last?' He could probably fill this place by himself, him and the Scorpions. "Out of that whole bill, the only bands that were even heard of were the Scorpions and Ozzy," he says. As far as the rest of the lineup? Not so much. They were really familiar with Ozzy and the Scorpions. As Bolan is quick to point out, fans had to buy their favorite music on the black market in that time period, so they didn't have the same kind of easy access or familiarity with music and bands that was so readily available in the United States. There were a lot of people, many of whom were attending their first-ever hard rock show. But yeah, obviously there were no cell phones or anything, so it's not like you could call home and tell somebody about it, you just had to take a lot of pictures with film and hope that it got across and back home without them confiscating it." Moscow's a completely different place now and it's a beautiful city. It was very drab and very gray and people looked angry. "Just getting there and flying on the plane with all of these people like Ozzy and the Scorpions and Bon Jovi and all of the MTV crew back in the day, here I am 23 years old going, 'Wow, a year ago I was working and punching a clock to build cabinets inside a van.' It was really a crazy experience because it was exactly how you saw Russia in all of the history books, back then anyway.
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